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Sharon Egretta Sutton on the Democratic Power of “Place-Based Activism”

Architecture professor Sharon Egretta Sutton describes herself as an “activist scholar” who takes a radical approach to thinking about space and place through the lens of programs for underprivileged youth working to better their communities. In her latest book, Pedagogy of a Beloved Commons: Pursuing Democracy’s Promise Through Place-Based Activism (Fordham University Press), Sutton writes that these programs can transform not only disadvantaged neighborhoods but also the young people themselves working to revitalize them. I spoke with Sutton, who teaches at the Parsons School of Design in New York, about how space and place can play a part in cultivating citizenship and democracy, how community service can be a first step in raising consciousness, and the challenges to incorporating these approaches in architectural education.

MJC: Michael J. Crosbie
SES: Sharon Egretta Sutton

MJC:

In the early 2000s you conducted research for the Ford Foundation on youth programs, yet your findings were of little use when the foundation shifted its focus. This book evolved from your earlier research, and you picked three organizations to present not as case studies, but illustrative of approaches to help young people contribute to the revitalization of their deteriorating communities and equip them with the skills and habits of mind to work toward justice in America. How did you hit upon this direction for your book?

SES:

It came out of the manuscript review process. My first working title was Talent Unveiled: A Pipeline into the Margins of Society. I proposed to tell a balanced story about youth development and community development that would challenge prevailing beliefs that communities undergo a “natural process” of decline, decay, and reinvestment, and that youth are “problems who need fixing.” Instead I positioned young people at the center of community development to show their creativity in resisting negative change. I’d show that designers don’t need to invent a pipeline so underrepresented youth can enter the professions; that it already exists in the talent that youth use to address community problems. The Fordham University Press executive editor saw how this story aligned with the press’s series POLIS: Fordham Series on Urban Studies, which examines what makes a good community and how people learn to live together effectively. He wisely gave my proposal to the POLIS editor, and that helped shape the book’s story about how youth can work to improve their communities and in the process learn to live together.

MJC:

Your book title includes the word “commons.” What is the commons? How is it used, how can it be changed?

SES:

The commons is a public domain where people simultaneously experience collective life and participate in determining its quality. I began with the pre-industrial concept of the commons as the land where peasants shared the resources of the baron’s manor, an arrangement that wasn’t just in Europe. For example, in Hawaii—before the U.S. convinced indigenous people that private property was superior to shared ownership—if you worked the land you could subsist on it; its goods were yours to share with other community members. The commons was also a political community for deciding what was in the common good. I applied these early concepts to today’s public domain, which the geographer David Harvey noted only becomes a commons when people appropriate it for their mutual benefit. Current trends to privatize public space, for example, by enclosing and policing it, assert property rights over community rights and eliminate the idea of mutual benefit. When youth participate proactively in their neighborhoods, they assert their rights and responsibilities to share the commons.

 

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MJC:

You also explore the connection between Martin Luther King Jr.’s idea of “the beloved community” and the commons. What is the beloved community, how is it supported and protected?

SES:

The beloved community is the place, as Dr. King described it, where people somehow learn to live together despite their differences. It’s akin to Bucky Fuller’s idea of “Spaceship Earth”: people living on a planet with finite resources that they somehow learn to share. For Dr. King, the barrier to co-existence was racism. I also fault the dominant ethos of American exceptionalism and rugged individualism, neither of which consider how the nation’s legacy of genocide and slavery made possible the world’s greatest economic power. As an alternative, the communal practices of indigenous cultures are central to achieving a beloved community.

MJC:

The book deals with the importance of space and place and the connection to citizenship and democracy. You write: “The concreteness of three-dimensional public space provides a literal stage where young people can experiment with collective life, become more discerning about the forces that have shaped their community, and practice working toward just and inclusive futures.” This is not a way that architects and designers typically think and talk about public space, is it? Why is that?

SES:

I can tell you why I think about public space this way. I grew up during Jim Crow in Cincinnati, the so-called “gateway” to the South. I was a teenager during the 1950s when young people risked their lives to integrate lunch counters, schools, buses, and other public spaces. I grew up knowing that “place” was important—that who could be where and with whom was a life-and-death matter. By the time I got to architecture school, I already knew there was a connection between place and social justice, so Kevin Lynch’s claim about society being mapped out on the ground made perfect sense to me. It makes perfect sense that children, who are keenly observant of spatial details, learn a great deal about their position in society from the places around them. So I set out to help them use public space to explore alternative futures.

 

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MJC:

You write that place-based activism—planting community gardens, rehabbing houses, organizing neighborhood festivals, painting public murals—by youth helps maintain neighborhoods, but it also cultivates critical thinking about place and its possibilities. What’s place-based activism’s role as a stimulus to critical thinking about place?

SES:

These activities are simply community service unless they’re undertaken to address the roots of a problem. Place-based activism is the ability to deliberate and take collective action to achieve a just world, which requires a critical posture. You need to be reflective about the underlying causes of problems and how you might address them systemically. Place-based activism also requires the ability to perceive a common purpose and work with others to take action to address it. Given the nation’s current divisiveness, I wanted to offer an alternative to the prevailing notion of activism as demanding your rights, to show how young people can contribute to their schools and neighborhoods. Collective action and critical consciousness are the antecedents of place-based activism, and those abilities develop within the safety of community programs.

MJC:

It seems as though the space for “place-based” citizenship—the importance of participating in public life—continues to shrink. What’s the connection between citizenship and “place” and control over “the commons”?

SES:

Citizenship involves rights and responsibilities. American education primarily emphasizes the individual’s rights and responsibilities. Teachers measure success as individual accomplishment but there are other ways to live together successfully. What I loved about growing up in my segregated Cincinnati neighborhood was that everyone, poor and well-off, lived together and shared whatever they had. For example, two women in the neighborhood had grand pianos in their homes, and they “required” me to go there to practice while they were out at work because they felt responsible to contribute whatever they had to my musical development. What early African American teachers referred to as “communitarian selflessness” was part of my childhood. It’s counter to the individualistic culture I’ve experienced as an academic. In this book, I focus on youth development that improves not just the individual but the community as a whole. Individual citizens can better themselves and their communities by participating as change agents in the beloved commons, exercising their collective rights and responsibilities.

 

MJC:

You refer to yourself as an “activist scholar.” What are activist scholars, why are they important?

SES:

An activist is anyone who advocates a strong position. So an activist scholar is someone who takes a strong position, and generally that’s discouraged in academia, which is why my credentials as a scholar are suspect. The truth is supposed to be neutral, objective, not subject to individual biases. I have a drawer full of teaching evaluations that say I’m biased or have an agenda. You betcha I do! If you work within the dominant value system, you don’t have to admit your biases, because they are essentially masked within the system. It’s only if you work at the margins of that system that you appear “biased,” otherwise your values are invisible. I also refer to myself as a “tempered radical”someone who works within the system while trying to change it. The feminist scholar bell hooks believed that choosing to be simultaneously at the center and the margins, as I have done throughout my career, broadens your perspective and allows you to imagine radical new alternatives. Toward that end, I’ve become somewhat of an elder to a group of young academics affiliated with Dark Matter University who seek to invent alternatives to architecture’s individualistic, Eurocentric values.

MJC:

How have you done that?

SES:

Typically, I seek to broaden the cultural competence of my privileged white students through collaborative, community-based design studios. Last semester, a superb opportunity materialized when a former student from more than 30 years ago sought my support for a program she spearheaded that introduces young residents of New York City Housing Authority [NYCHA] campuses to architecture as a career. She joined me as a co-teacher of the undergraduate architecture studio that I currently teach at Parsons, which we conceived as a collaboration with her program. We engaged the Parsons students in collaborating with the young NYCHA residents. Together they studied a public housing campus, developed design proposals to improve it, and then made presentations at Parsons and in the community. While the NYCHA residents benefitted from the Parsons students’ disciplinary knowledge and the Parsons students benefited from the NYCHA residents’ personal knowledge of community life, they both cultivated new ways of working together and building mutually respectful relationships.

 

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MJC:

How do you temper the strong focus in architectural education to reward individual achievement with the greater need to educate the community and reward collective achievement?

SES:

You don’t. The grading and accreditation system forces educators to reward individual achievement. One alternative is to make community engagement part of individual assessment. But such a requirement is an anomaly within the typical architecture curriculum so students resist it. Then, too, how do you evaluate teamwork? How do you identify what individuals have contributed to a particular outcome? Realizing communitarian selflessness in a program focused upon individual accomplishment is difficult. It requires an entirely different worldview.

MJC:

Ernest Boyer observed in his Carnegie Foundation assessment of architectural education: “Community engagement is often more concerned with credentialing students and faculty than addressing the nation’s pressing urban problems.” Here we are almost 30 years later, faced with the same problems. What needs to change?

SES:

Things are definitely worse because of the escalating cost of college, which is negating the calculus of investing time and money to accrue the rewards of earning a college degree. Maybe my goal of staying inside the institution as a tempered radical has run its course. It may no longer be possible to change institutions from the inside. I recently learned that architecture’s professional organizations are considering a really sinister proposal to address the cost and time to earn a college degree. They propose to eliminate it entirely and substitute office training. I hope for a better alternative to credential future professionals than indoctrinating them with market-driven job training, which would surely magnify the nation’s already insidious concentration of power. That’s why youth programs and what they contribute to community betterment interest me. They’re not part of an unjust education and employment system—they seek radical transformative change from the ground up.

All images courtesy of Sharon Egretta Sutton.

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